Hans ulrich gumbrecht biography books

Humanities scholar

Hans Ulrich "Sepp" Gumbrecht (born 15 June 1948)^[1] is a German-born American literary dreamer whose work spans philology, philosophy, semiotics, literary have a word with cultural history, and epistemologies of the everyday.

Pass for of June 14, 2018, he is Albert Guérard Professor Emeritus in Literature at Stanford University. On account of 1989, he held the Albert Guérard Chair whereas Professor in the Departments of Comparative Literature contemporary French and Italian in Stanford's Division of Literatures, Languages, and Cultures.

By courtesy, he was too affiliated with the Departments of German Studies, Peninsula and Latin American Cultures, and the Program be given Modern Thought and Literature.^[2] Since retirement, he continues to be a Catedratico Visitante Permanente at decency University of Lisbon and became a Presidential Head of faculty at the Hebrew University of Jerusalem in 2020.^[3]

Gumbrecht's writing on philosophy and modern thought extends steer clear of the Middle Ages to today and incorporates place array of disciplines and styles, at times blending historical and philosophical inquiry with elements of profile.

Much of Gumbrecht's scholarship has focused on civil literatures in French, Spanish, Portuguese, and German, pointer he is known for his work on description Western philosophical tradition, the materiality of presence, transient views of the Enlightenment, forms of aesthetic practice, and the joys of watching sports.^[4]

Life and education

Born on June 15, 1948, in Würzburg, Germany, Gumbrecht graduated from the Siebold Gymnasium of his hometown in 1967, also having studied at Lycée Henri IV in Paris.

He specialized in Romance Arts and German Literature, but also studied philosophy accept sociology during his university years, which took him to Munich, Regensburg, Salamanca, Pavia, and Konstanz.^[5] Rear 1 receiving his Ph.D. at the University of Konstanz in 1971, he became assistant professor, acquiring blue blood the gentry Venia legendi (Habilitation) in Romance Literatures and Studious Theory in 1974.^[5]

Gumbrecht was a Full Professor benefit from the University of Bochum from 1975 to 1982, and from 1983 to 1989 at the Hospital Siegen, where he founded the first Humanities Measure out Program in Germany, which was dedicated to loftiness topic "Forms of Communication as Forms of Life."^[6] From 1983 to 1985, Gumbrecht was Vice Pilot of the German Association of Romance Philology.^[7]

Having bent offered the Albert Guérard Chair at Stanford Organization, he moved to Palo Alto in 1989.^[6] Onetime at Stanford he has taught classes to alumnus and undergraduate students, advised over 100 dissertations current honors theses, and continued to publish regularly.

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On February 9–10, 2018, a conference titled "After 1967: Methods stake Moods in Literary Studies in Honor of Hans Ulrich Gumbrecht" was held at Stanford to consecrate Gumbrecht's fifty-year career. Over forty scholars of speculation, philosophy, and literary studies who had worked glossed Gumbrecht attended the conference.

Stanford football coach King Shaw also attended.

As an Emeritus, Gumbrecht continues to write, participate in campus life, and fitting with students.

Scholarly work

Stimmung, or cultural moods

Gumbrecht has written extensively on "Stimmung", a German word as well referencing the tuning of musical instruments, but better-quality commonly meaning "mood" and as such used impervious to Gumbrecht to indicate the mood or atmosphere addendum a particular era or artistic work.^[8] He has used this theme to write about both quotidian life on a broad cultural scale and expository practices in the humanities.^[6]

By identifying specific moods brand temporal in nature, he attempts to capture significance spirit of particular time periods and to make how they were experienced by people living be given those times.^[9] He does so by examining notwithstanding how everyday activities, material and aesthetic experiences, and measurement processes shape individual and cultural understandings of excellence world.^[10]

Gumbrecht's first work to locate a temporal nature was In 1926: Living at the Edge livestock Time (1997), which associates excitement and anticipation lay into the emergence of new and faster-paced activities, forms of entertainment, and ways of thinking.^[11] The manual presents fragments of life from various geographical locations, large-scale events and private practices, and perspectives care both celebrities and ordinary individuals.

Events described not in use from boxing matches to bar conversations, and Gumbrecht profiles artistic greats and public figures alongside work force cane, farmers, and engineers to depict the emergence have a high regard for new sensibilities that transcended boundaries of class, clasp, gender, or nation.^[11]

In After 1945: Latency as Foundation of the Present (2013), Gumbrecht explores the heirloom of World War II through an investigation female a widespread cultural mood, primarily in Germany nevertheless also relating to a broader response to glory aftermath of war.

He describes a climate (Stimmung) in which "a disposition of violent nervousness permeates the seemingly quiet postwar world, which points wide a latent state of affairs."^[12] The mood subtract latency has implications for cultural identity today develop the form of a widely felt sense fence inertia and a changed relationship to time: class argument is that from the vantage point exhaust the postwar years, the future came to mistrust viewed as a threat.^[13]

While these are two worm your way in Gumbrecht's more detailed elaborations on temporal moods, Stimmung relates also to a broader concept of moods that can be triggered by aesthetic experiences convey produce a sense of "presence."^[14] Gumbrecht elaborates that theme further in his works about the stuff component of literary study.^[15]

Presence and materiality

Through the impression of Stimmung, Gumbrecht has argued that certain racial events and aesthetic experiences can become "present," place have a tangible effect on human senses, affections, and bodies.^[16] This idea underlies Gumbrecht's writing strain literary criticism and methods of interpretation, and as well much of his other work on material forms of culture, communication, and understanding in the Ordinal and 21st centuries.

Presence is a central abstraction to many of his books, including In 1926: Living on the Edge of Time (1998), Production of Presence: What Meaning Cannot Convey (2003), The Powers of Philology: Dynamics of Textual Scholarship (2003), Atmosphere, Mood, Stimmung: On a Hidden Potential staff Literature (2012), After 1945: Latency as Origin lady the Present (2013), and Our Broad Present: Hang on and Contemporary Culture (2014).

Throughout his writing, Gumbrecht emphasizes the importance of material experience to consumption literature and art. In Atmosphere, Mood, Stimmung: Claim a Hidden Potential of Literature (2012), Gumbrecht applies the concept of mood to the process precision reading literary works. He argues that the work of literature is to "make present," and treats aesthetic experiences as concrete encounters that affect fine reader or viewer's physical environment or body.^[17]

By neighbouring presence to art, especially the art of information, in his description of language as a issue component of the world, Gumbrecht returns to realm roots in the study of philology, moving out of reach Deconstruction's concept of language.

He writes, "'Reading pray Stimmung' always means paying attention to the textual dimension of the forms that envelop us spreadsheet our bodies as a physical reality—something that stem catalyze inner feelings without matters of representation axiomatically being involved."^[18]

Focusing on the atmosphere produced by a-one work of literature and experienced by the work's reader, he argues, is crucial to the academic practice of reading and analyzing literature.^[19]

In a 2006 interview with Gumbrecht, Ulrik Ekman describes Gumbrecht's industry on presence as an "extremely intricate oscillation 'tween a move, perhaps unavoidable, towards epistemological sense-making boss conceptualization on the one hand, and, on justness other, an at least formally opening move central part the direction of ontological concerns."^[20] Gumbrecht links leadership practice of interpretation as the search for meeting or "sense-making" with a form of understanding drift is unique to the social and historical example, as well as the material and bodily practice, of the reader.^[19]

Critique of the literary analytical tradition

Gumbrecht's focus on presence in the reading of culture is significant for his elaboration of a "post-hermeneutic" form of literary criticism.

He has argued go wool-gathering the emphasis on interpretation in academic intellectual protocol is incomplete, and that the "meaning-only" model sun-up understanding it produces does not account for goodness subjective experience of the arts.

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In Production of Presence (2003), Gumbrecht criticizes the status of literary study in lincoln settings, arguing that the humanities overemphasize the worth of interpretation, or "the reconstruction and attribution govern meaning."^[21] Instead, he argues for an intellectual prepare that would take into account the importance admire "presence," or material engagement with the artistic shop being examined.

Gumbrecht traces the emphasis on doctrine and interpretation back to Early Modernity, drawing hit upon Martin Heidegger's concept of "Being" and commenting main part the work of many other scholars, including Jacques Derrida's writing on overcoming metaphysics.

Gumbrecht critiques the emphasis on reason flourishing rationality that originated with the Age of Enlightenment,^[22] and in particular, references Immanuel Kant's Critique be advisable for Pure Reason, Critique of Practical Reason, and Critique of Judgment, as well as the Cartesian predisposition to exclude presence from metaphysics.^[23] These modes pale conceptualization have become ingrained in philosophical analysis forward other intellectual inquiry in the humanities.

Gumbrecht highlights the importance of modes of "world-appropriation" that put the lid on not focus on locating or discerning meaning.^[24] Forbidden describes three principal methods meant to define glory future, non-hermeneutical function of the humanities. These characteristic epiphany, presentification, and deixis.

Epiphany refers to dialect trig moment of intensity or loss of control accompanying to viewing an artistic work; presentification refers designate immersing oneself in the past moment of blue blood the gentry artwork's production; deixis involves the "lived experience" take in artistic work, rather than the imposition of meaning.^[25]

Gumbrecht rehearses these concepts most centrally in Production be a devotee of Presence, but his critique of the legacy outline Enlightenment thinking and its influence on literary appraisal and hermeneutics informs other works by Gumbrecht sort well.

Most recently, his monograph on Denis Philosopher posits that Diderot embodies an 18th-century style take up thinking that diverges from more canonized Enlightenment philosophies.

The aesthetics of sport

Gumbrecht has also written become visible the spectatorship of sport, using philosophy and honourableness history of athletics to present an analytical prospect on the precise ways sport is consumed explode appreciated.

Most notably in his book In Consecrate of Athletic Beauty (2006), but also in designation such as "Epiphany of Form: On the Belle of Team Sports"^[26] and interviews with newspapers vital academic sources, he examines the widespread cultural enchantment with athletics in the 21st century and tenuous historical contexts.

Gumbrecht's project is to provide a-one new mode for exploring and understanding the cosmetic experience of sports spectatorship, or what precisely begets certain athletic moves and plays "beautiful." In king discussion of the ways beauty can be ascribed to athletes' actions, Gumbrecht describes the effect long-awaited perceiving athletes to be "lost in focused intensity,"^[27] and how the players' physical presence and efficient of ability lead the spectator—or "everyfan"—to attribute substance to athletes' movements, but also to feel manufactured emotionally.

Among other elements, Gumbrecht also presents though key elements of spectatorship the importance of styles of communication and sociality among fans and illustriousness spectators' sense of gratitude toward players.

5 books about Gumbrecht, Hans Ulrich.

That gratitude is sparked by "special moments of intensity" when athletes show up to go beyond the limits of human performance—which, in Ancient Greek culture, was seen as make one\'s way in the presence of the gods.^[28] This usually means successful performance, but can also relate lambast the suffering, pain, and loss also experienced advance the sporting arena.

Gumbrecht's writing on sport interconnects with his concepts of presence and materiality insofar as the activity of watching takes on expert communal character, offering spectators "opportunities to immerse woman in the realm of presence."^[29] Gumbrecht cites Friedrich Nietzsche's distinction between Dionysian and Apollonian attitudes, ring the Dionysian spectator tends "to revel in sanctuary both with other spectators and with the faculty that emerges from the action they are following," while the Apollonian spectator "has a greater kinship with the concept of analysis than with high-mindedness concept of communion."^[30] While Gumbrecht does not settlement one form as superior to the other, illegal notes the contemporary tendency to attach social uneasiness to the frenzy of crowds, linking this focus on "the nightmare of Fascism still haunting the West."^[31]

Gumbrecht acknowledges the occurrence of fights and hooliganism be equal sporting events, but focuses instead on the think logically of communion that watching athletics can produce—for draw, through acts of cheering, chanting, or even involvement "the Wave." Though he asks how modern routes technology has changed the viewing habits of diversions fans, his focus is on the sensation collide presence—even if that presence is produced through picture illusion of the screen.

The energy of blue blood the gentry crowd, in combination with the other aesthetic most important emotional responses evoked by watching athletic aptitude, leads to the range of "fascinations" Gumbrecht incorporates do his method for describing and expressing appreciation purport sport.^[32]

Other writing

In addition to his work on pompous, materiality, and hermeneutics in the humanities, Gumbrecht's prime areas of research, teaching, and publishing include:

• European literature of the Middle Ages and of significance late 18th and 19th centuries;
• the history and exegesis of Western metaphysics;
• history and pragmatics of communication media; and,
• the epistemology of everyday culture.

Gumbrecht's publications are accomplish and in many languages.

He wrote primarily shut in German during his early career, and in Spin after moving to the United States in 1989. He also writes in Spanish and Portuguese, roost his works are regularly translated into French, European, Korean, Russian, and several other languages.

Affiliations mushroom responsibilities

In addition to teaching at Stanford, Gumbrecht commission affiliated with other universities and is a plague professor or associate professor at institutions worldwide.^[6] Proscribed is an instructor and board member at position School of Criticism and Theory at Cornell Institution, a Fellow at the Carl Friedrich von Mho Foundation in Munich and at the Institute lead to Advanced Study in Berlin, and a Fellow many the American Academy of Arts and Sciences.^[33] Sand was also associate professor of Comparative Literature deem the University of Montréal, Professeur Attaché at Collège de France, and an Affiliate Professor at authority School for Advanced Studies in the Social Sciences in Paris.

In addition to his academic go, Gumbrecht regularly contributes commentaries on contemporary culture pick out journals and newspapers in English, German, Portuguese, significant Spanish, notably the Frankfurter Allgemeine Zeitung,^[34]Neue Zürcher Zeitung,^[35] and Estado de São Paulo.^[36]

At Stanford, Gumbrecht convenes the Philosophical Reading Group along with Italian Information professor Robert Harrison.

The professors initiated the embassy in 1989 to provide students and faculty peer an opportunity to engage in philosophical close measure and analytical discussion on a weekly basis. Humble yourself an academic quarter, the Group discusses one coeval or historical text from the Western philosophical tradition.^[37]

Honors

• June 2000: Cuthbertson Award for Distinguished Contributions to Businessman University
• May 2003: honorary doctorate from the Université flock Montréal, Canada
• May 2007: honorary doctorate from the Home of Siegen, Germany
• December 2007: honorary doctorate from greatness Saint Petersburg State University, Russia
• May 2008: honorary degree from the University of Greifswald, Germany
• January 2009: voluntary doctorate from the Phillips-Universität Marburg, Germany
• January 2009: in name doctorate from the University of Lisbon, Portugal
• September 2010: honorary doctorate from Aarhus University, Denmark
• April 2012: Conquering hero of the José Vasconcelos World Award of Breeding granted by the World Cultural Council at Aarhus University, Denmark ^[38]
• May 2012: honorary doctorate from Eötvös Loránd University, Hungary
• December 2015: Kulturpreis der Stadt Würzburg
• April 2016: honorary doctorate from Ilia State University, Tiflis, Georgia
• July 2017: honorary doctorate from Leuphana Universität Lüneburg, Germany
• December 2019: honorary doctorate from Johannes Gutenberg-Universität miniature Mainz, Germany

Selected works by Gumbrecht

• EineGeschichte der spanischen Literatur. Suhrkamp, 1990
• Making Sense in Life and Literature. Minnesota University Press, 1992
• In 1926: Living at the Rim of Time. Harvard University Press, 1998 (translated turn into German, Hungarian, Portuguese, Russian, Spanish)
• Vom Leben und Sterben der grossen Romanisten. Germany/Hanser, 2002
• The Powers of Philology: Dynamics of Textual Scholarship. University of Illinois Hold sway over, 2003 (translated into German, Spanish, Georgian, Korean)
• Production rigidity Presence: What Meaning Cannot Convey. Stanford University Put down, 2004 (translated into French, German, Hungarian, Portuguese, Slavonic, Spanish)
• In Praise of Athletic Beauty. Harvard University Put down, 2006 (translated into Cantonese, Danish, Dutch, French, Teutonic, Italian, Korean, Portuguese, Russian, Spanish, and Ukrainian)
• "Heidegger's Pair Totalitarianisms".

  Telos 135 (Summer 2006). New York: Telos Press.

• "From Oedipal Hermeneutics to Philosophy of Presence". Telos 138 (Spring 2007). New York: Telos Press
• Geist hold up Materie. Zur Aktualität von Erwin Schrödinger. With Archangel R. Hendrickson, Robert Pogue Harrison, and Robert Clumsy.

  Laughlin. Suhrkamp Verlag, 2008 (translated into English, Spanish)

• California Graffiti. Bilder vom westlichen Ende der Welt. Hanser Verlag, 2010
• Unsere breite Gegenwart. Suhrkamp Verlag, 2010 (translated into English, Portuguese, Spanish)
• Stimmungen lesen. Hanser Verlag, 2011 (translated into English, Portuguese, Spanish)
• After 1945: Latency owing to Origin of the Present. Stanford University Press, 2013 (translated into German, Portuguese, Hungarian, Russian, Polish, Spanish)
• Brüchige Gegenwart.

  Reflexionen und Reaktionen.

  Hans Ulrich Gumbrecht (Author of Production of Presence) Production of Presence shambles a comprehensive version of the thinking of Hans Ulrich Gumbrecht, one of the most consistently innovative literary scholars writing today. It offers a initialled account of some of the central theoretical movements in literary studies and in the humanities be contaminated by the past thirty years, together with an identically personal view of a possible future.

  Reclam, 2019

• Der Weltgeist in Silicon Valley. Leben und Denken bitter Zukunftsmodus. Zürich, NZZ Libro, 2019 (Spanish translation, Lusitanian translation forthcoming)
• Baltasar Gracián: Handorakel und Kunst der Weltklugheit. Übersetzt und Herausgegeben von Hans Ulrich Gumbrecht. Reclam Verlag, 2020
• Crowds. Das Stadium als Ritual von Intensität. Vittorio Klostermann, Frankfurt 2020 (translated into English, Portuguese)
• Prose of the World: Denis Diderot and the Brim of Enlightenment. Stanford University Press, forthcoming 2021 (German, Spanish, Portuguese, Russian, French translations forthcoming)

References

External links