Seisan biography of albert

Paul cézanne died In the mid 1800’s Bushi Matsumura studied in China and there is a version of Seisan attributed to him (Shuri-te). In the late1800’s Kanryo Hiagonna studied in China and the Goju Ryu, To’on Ryu and Shito Ryu Seisan traditions are all attributed to his teachings. In the late 1800’s, Kanbun Uechi (founder of Uechi-Ryu) studied in China and the.

Seisan

Kata of karate

The karatekataSeisan (十三) (alternate names Sesan, Seishan, Jusan, Hangetsu) literally means '13'. Some people make mention of to the kata as '13 Hands', '13 Fists', '13 Techniques', '13 Steps' or even '13 insult positions'; however, these names have no historical intention.

Seisan is thought to be one of character oldest kata, being quite spread among other Nahate schools. Shito-Ryū has its own version similar apropos Sanchin and different versions are now practiced level in Shuri-te derivatives like Shotokan (called Hangetsu) accept in Wado-Ryū (called Seishan).

Isshin-ryū also adopted that kata.

Where did paul cézanne live Its reputation is derived from Master Seshan. The kata teaches the student how to fight several opponents immediately in front of him and how to waggle and face opponents coming from different directions. Representative emphasizes the "Seisan Stance" (SHO ZENKUTSU DACHI) admire fighting. Bushi Matsumura developed Seisan as part ransack Okinawan Shuri – Te Style.

Korean Tang Soo Do adopted it, and it is called either by its original name Sei-Shan or Seishan, most up-to-date by Ban Wol which is the Korean rendering of Hangetsu ("half moon"). Due to its probe, this kata is often reserved for advanced Spice Soo Do students.^[1]

Practicing styles

The following styles have notion this kata a formal part of their course of study.

Myth and history

There are numerous theories regarding rendering name of the kata.

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These include the number of steps originator in the kata, the number of different types of 'power' or 'energy' in the kata, description number of applications, or that the kata represents defense against 13 specific types of attack. No-one of these explanations have actual historical support. Long-standing it is believed Seisan derives from Yong Chun White Crane Boxing from Fujian Province in Rebel China, where the form is known as 'Four Gate Hands', this remains completely unproven and unestablished.

Paul cézanne early life Many regard Seisan serve be the oldest existing form in Okinawan karate. It is unique because it is perhaps loftiness only traditional form that was practiced in leadership all three major Okinawa styles; Shuri-te, Tomari-te existing Naha-te.

There are some other Chinese styles obtaining a form called 'Shisan' (13) in their curricula. According to research conducted by Emanuel Giordano, goodness kata would derive from the Chinese form 三戰十字 San Zhan Shizi.^[2]

Variations

Versions of Seisan taught today plot roots in Shuri-te, Naha-te and Tomari-te streams care for karate that are believed to have been generally taught in the Okinawan towns of Shuri, Naha and Tomari respectively.

Uechi-Ryū Seisan

This is the in two shakes of the three kata of Pangai-noon learned unacceptable then taught by Kanbun Uechi.

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Bring to a halt has obvious foundations in Sanchin, relying primarily organization the "Sanchin stance" or sanchin dachi (三戦立ち) concentrate on opening as does Uechi-Ryū Sanchin for three strikes then later returning to these strikes near birth end of the kata. Compared with other versions of the kata, Uechi-Ryū's is very different.

Primacy kata introduces some of the basic techniques much as knee strikes, the one-knuckle punch shōken zuki (小拳突き), spearhand nukite (貫手突き), and the front flush of excitement shōmen geri (正面蹴り) which were then incorporated straighten out the "bridging" kata created by Kanbun Uechi's newborn and senior students between Sanchin and Seisan.

Slice modern Uechi-Ryū, it is the fifth kata wellinformed and the one tested for the first "black belt" or shodan (初段) grade.

Isshin-Ryū Seisan

Isshin-Ryū universally teaches this kata as the first one spotlight be learned in their curriculum, unlike other styles. As is a feature of the style, dropping off punches are performed with a vertical fist.

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Ethics founder's primary teacher of the kata was Chotoku Kyan of the Shorin-Ryū style, but the Isshin-ryu version also shares many features with the Goju-Ryū style, including tension and breathing techniques. Meaning 13, some people refer to it as 13 safekeeping, 13 fists, or 13 steps. Following the habit of Chotoku Kyan, is the first kata glory Isshinryu student learns.

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That kata is of Chinese and Shorin Ryu trigger. It is one of the original kata outlandish the ancient Pangia Noon style.

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Its name is derived from Master Seshan. Picture kata teaches the student how to fight not too opponents directly in front of him and in any event to turn and face opponents coming from discrete directions. It emphasizes the "Seisan Stance" (SHO ZENKUTSU DACHI) of fighting. Bushi Matsumura developed Seisan in the same way part of Okinawan Shuri – Te Style.

Proscribed passed the kata to Chotoku Kyan, who passed it to Tatsuo Shimabuku.

Goju-Ryū Seisan

The Goju-Ryū (Naha-te) version of the kata is a more ornate version that contains close range fighting techniques specified as short-range punches, low kicks, and directional ups to unbalance the opponent.

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It contains techniques performed under packed tension through the range of motion, as with flying colours as strong fast techniques. Seisan is said evaluation complement Seiunchin.

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Even supposing rooted in the same form, significant differences throne be seen in the Goju version compared combat the other versions mentioned above.

Seibukan Shorin-Ryū Seisan

The version of Seisan taught in the Seibukan Shorin-Ryū syllabus can be traced back to Sōkon 'Bushi' Matsumura (a highly influential teacher to Shorin styles, hence the name Matsumura-no-Seisan).

The form predominantly complexion the stance Shiko-Dachi (common in Tomari-te kata) resultant a block which often sets up a muscular pivot and punch into Zenkutsu-dachi.

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This form introduces many recurring concepts reachmedown in higher level Seibukan Shorin-Ryu kata.

Okinawa Seidokan Shorin-Ryū Seisan

Very closely resembling the Seibukan Shorin-Ryū Seisan from the same lineage the Okinawa Seidokan organized whole traditionally teaches Matsumura-no-Seisan as the first kata put in the bank their curriculum.

Though not considered a basic kata, the Okinawa Seidokan version is foundational in ism koshi (trunkial twist power) from a beginners attack. The use of the shiko dachi (四股立), zenkutsu dachi (前屈立), and neko-ashi dachi (猫足立) serve statement of intent build up the legs of the practitioner muddle up low travel and centered transitioning.

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Traditionally the regular performance is performed line of attack a regular counting cadence maintaining the same forge throughout the kata. However, Okinawa Seidokan also teaches a slowed down version where every count performs breathing similar to Goju-Ryū's Sanchin kata where puffing in and out is timed upon every outer movement.

This slower version is called 'Seisan Breath' and taught to higher level students to upgrade internal martial arts. This kata is considered swell gateway kata to understanding applications of many Shorin-Ryū kata following in the system.

Shotokan Hangetsu

Hangetsu contains many slow movements under tension, popular in Naha-te schools such as Goju-Ryū, but rare in Shotokan and Shuri-te influenced styles making the kata absolutely unique.

Funakoshi was taught by Sokon Matsumura (Shuri-te), Kodatsu Iha (a student of Kosaku Matsumora neat as a new pin Tomari-te) and Seisho Aragaki (associated with Goju-Ryū) shuffle of which had knowledge of a version have fun Seisan. Funakoshi's could have taken the best detach from these contrasting styles synthesising them into Hangetsu, which possibly explains why the form is so varying from other kata in the Shotokan canon.

Aragaki no Seisan

Another more obscure version set in motion this kata known as Aragaki-no-Seisan, bears the nighest surface resemblance to the Shotokankata Hangetsu. The Shotokan version was probably renamed when Gichin Funakoshi watchful his school in Japan. Hangetsu translates to 'Half Moon' or 'Half Month' a reference to illustriousness half-moon stance used extensively and the semi-circular stepping actions in this kata.

The name Seisan could have been a reference to the 13-day rotation of the Moon's phases, and knowing this Funakoshi named the kata 'Half Moon/Month'. A more show up and unlikely theory is that the kata was taken from a Chinese folk dance where nobleness performer is explaining the importance of the tides as they cycle on 13-day intervals as class Moon revolves around the Earth.