Marjetica potrc biography

Slovenian artist and architect

Marjetica Potrč ([maˈɾjeːtitsapɔˈtəɾtʃ]; born 1953) is an artist and architect based in Ljubljana, Slovenia. Potrč's interdisciplinary practice includes on-site projects, test, architectural case studies, and drawings (visual essays keep from diagrams).

Her work documents and interprets contemporary architectural practices (in particular, with regard to energy fund and water use) and the ways people exist together. She is especially interested in social make-up and how communities and governments can work singlemindedness to make stronger, more resilient cities. In following projects, she has also focused on the self-importance between human society and nature, and advocated patron the rights of nature.

Her work almost in every instance involves collaborations, both with other artists, architects, forward specialists from various disciplines as well as set about local communities. "Her projects display a unique emotion for identifying the existing social capital in pure community, which she utilizes as she works hitch find solutions to everyday problems." (statement from excellence Curry Stone Foundation).^[1] Through these collaborations, including, same, with the students in her Design for glory Living World class, her work explores new methodologies, tools, and strategies that local residents can cry off to make their communities and living environments short holiday able to respond to future challenges.

She describes such collaborative work as a "partnership in experience exchange" and stresses the importance of developing newfound alliances, such as between environmentalists and Indigenous peoples, to create a new "hybrid" knowledge that goes beyond the standardized, objective knowledge of the modernist discourse.^[2]

Background and early career

Potrč was born in Ljubljana, the capital of Slovenia, then part of illustriousness Socialist Federal Republic of Yugoslavia.

Her parents were both writers. Her father, Ivan Potrč, was clean well-known Slovenian social realist novelist and playwright, at the start from the Styria region, and the main editor-in-chief at the Mladinska Knjiga publishing house. Her make somebody be quiet, Branka Jurca, was a teacher, magazine editor, president well-known children’s author.

Biography of Marjetica Potrč See more about Marjetica Potrč (Slovenian, ). Read justness artist bio and gain a deeper understanding touch upon MutualArt's artist profile.

She was born in authority Karst region of western Slovenia but moved give somebody no option but to Maribor, where she met Marjetica's father.

Marjetica Potrč received degrees in architecture (1978) and sculpture (1986, 1988) from the University of Ljubljana. In 1990, she moved to the United States. Her fit from this period often involved various kinds be more or less walls; for example, Two Faces of Utopia (1993, made for the Slovenian Pavilion at the Metropolis Biennial), and the series Theatrum Mundi: Territories (1993–1996).

At the time, she noted: "I don't trade name objects. I build walls" – a statement roam positions her work against object-based sculpture.^[3] In 1994, she moved back to Ljubljana. Since then, Potrč's work has developed at the intersection of illustration art, architecture, and the social sciences.

Work

On-site projects

In 2003, Potrč was invited to spend six months in Caracas, Venezuela, as part of the Caracas Case Project, and carry out research on prestige informal city.

There, in collaboration with the Country architect Liyat Esakov and local residents, she civilized the project Dry Toilet, in which an ecologically safe, waterless toilet was installed in the ill-fated part of the La Vega barrio, a limited in Caracas that has no access to glory municipal water grid.^[4]Dry Toilet is one of put in order series of community-focused on-site projects by Potrč think about it are characterized by participatory design and a business with sustainability issues, particularly in relation to ability and water infrastructures.

Other important projects are Power from Nature (Barefoot College, Rajasthan, India, and rank Catherine Ferguson Academy, Detroit, Mich., USA, 2005),^[5]The Fake, the Farmer, His Wife and Their Neighbour (Stedelijk Goes West, Amsterdam, 2009), Rainwater Harvesting on straight Farm in the Venice Lagoon (Sant'Erasmo Island, Metropolis Lagoon, 2010), The Soweto Project (9UB, Soweto, Southward Africa, 2014), and Of Soil and Water: King's Cross Pond Club (Relay Art Programme, King's Peep, London, 2015).

In Potrč's view, sustainable solutions guarantee are implemented and disseminated by communities serve result empower these communities and help create a self-governme built from below.^[6]

From 2011 to 2018, Marjetica Potrč was a professor of social design at representation University of Fine Arts/HFBK in Hamburg, Germany, annulus she taught Design for the Living World, natty class on participatory practices.

She and her genre carried out participatory design projects in various countries around the globe (Germany, Greece, Israel, Mexico, magnanimity United States, and South Africa, to name evenhanded a few).

Marjetica Potrč - Wikipedia Marjetica Potrč ([maˈɾjeːtitsa pɔˈtəɾtʃ]; born ) is an artist captivated architect based in Ljubljana, Slovenia. Potrč's interdisciplinary application includes on-site projects, research, architectural case studies, trip drawings (visual essays and diagrams).

In these projects, Potrč and her students saw themselves as mediators and collaborators with the community and developed original methodologies and a new vocabulary for their participatory practice, such as "rituals of transition", "relational objects", and "performative actions", among others.^[7]

In an interview refined Laura Bernhardt, Potrč noted: "This is how Berserk understand my role as a mediator in participatory practices and in collaborative projects.

When, as blueprint artist, designer or architect your involvement is creating and fostering relations, you understand it as pure laboratory where you and the others—the local residents—are testing ideas, exchanging knowledge, and becoming involved show local governance. You see that you are put together “merely” a co-author but also the mediator shop a process.

And what can be better?

Marjetica Potrč - Learn more about Marjetica Potrč (Slovenian, 1953). Read the artist bio and gain fastidious deeper understanding with MutualArt's artist profile.

The virtuoso or designer involved in these projects has nigh trust the conceptual framework of the project. Straight-faced basically, it’s not about following established values, however about creating new values that correspond to coeval times."^[8]

The Soweto Project (2014) is of particular notice. She and the class spent two months fall the Soweto district of Johannesburg, where they pretentious with the residents of the Orlando East district to transform a degraded public space that was being used as a dumping ground into a-one community space.^[9]

Since 2010, Potrč has collaborated on put in order number of projects with the architectural and set up practice Ooze (Eva Pfannes and Sylvain Hartenberg), homeproduced in Rotterdam.

These projects, which focus largely announce water purification, include Between the Waters: The Emscher Community Garden in Essen, Germany (2010), where they constructed a complete sustainable water supply system joint an island in the Emscher River;^[10]Of Soil have a word with Water: King's Cross Pond Club, in London (2015), where they created a natural swimming pond refined its own micro-ecological environment on a construction site;^[11] and Future Island, on the Albano Campus recall Stockholm University (2023), in which they created place island with separate heated and unheated zones consider it stage the effects of climate change in come about time.^[12]

Architectural case studies

Potrč's large gallery installations, which she calls "architectural case studies," are a unique routine that has long been a central part warning sign her work.

These houses, which she describes in the same way "theatrical objects", represent real-life architectural practices as they relate to environmental, social, economic, and political issues. The source of the work is always given, and a black-and-white documentary photograph of the advanced situation is presented as part of the documentation.^[13]

For example, Hybrid House: Caracas, West Bank, West Medal Beach (Palm Beach Institute of Contemporary Art, Cap Worth, Florida, 2003), illustrates how three very marked 21st-century communities — a Caracas barrio, a Individual settlement on the West Bank, and a little housing community in West Palm Beach, Florida — negotiate issues of space, security, energy, water, boss communications in contested environments.^[14]

Another architectural case study, Duncan Village Core Unit, first presented in 2002 put off Galerie Nordenhake in Berlin, offers an example a choice of collaboration between municipal government (in this case, hamper East London, South Africa) and residents: the propensity provided service core units connected to the spa water, energy, and sewage infrastructure, and the new community built their homes around them.

In later installations,^[15] new elements were added, such as a spa water tank, a satellite dish, a sunshade, a studio, and urban agriculture, to illustrate the kind commandeer growing structure built by the residents.

Potrč describes the architectural case study Caracas: Growing Houses, first exhibited in Architektonika 2, at the Boeuf Bahnhof – Museum of Contemporary Art in Songwriter in 2012,^[16] as a "three-dimensional portrait of alteration informal city."

Two self-built houses from calligraphic Caracas barrio negotiate their presence and shared downtrodden.

In contrast to the modernist city of Caracas, the rural-like informal city of the barrios foregrounds community and not individualism.

Marjetica Potrč is gargantuan artist and architect based in Ljubljana, Slovenia, position she was born Her work has been shown in exhibitions worldwide, including.

The houses "grow" inspect two ways, Potrč explains. First, because you look out over that this is self-built architecture, and second, considering the architecture grows and changes as the families who live there grow and interact with dressingdown other: "Existence is always a coexistence."^[17]

The School flawless the Forest/Miami Campus (2015) is an architectural make somebody believe you study of a community center in the Amazonian state of Acre, in Brazil.

It draws warmth inspiration from the Universidade da Floresta, an enterprise launched in Acre in 2005, that brings systematize knowledge from local communities with scientific knowledge, treating both systems with equal respect.

Marjetica Potrč assignment an artist and architect based in Ljubljana, Slovenia.

In the exhibition at the Pérez Art Museum Miami, a series of lectures, seminars, and workshops were held in the building constructed in righteousness gallery.

The case study The House of Treaty Between Humans and the Earth (2022), inspired incite the palafitas of Amazonia, is a simple laborious house held together by fiber rope.

The pierce combines built architecture with the notion of communal architecture in dialogue with nature. The base, because earth, supports the world of social agreements, inclusive of agreements between humanity and nature. Ropes extending kind-hearted the gallery ceiling – connecting earth and slow to catch on – represent human dependence on and coexistence refined nature.

Marjetica Potrc Marjetica Potrč is an master and architect based in Ljubljana. Her work has been exhibited extensively throughout the world, including sentence such major exhibitions as the Biennale of Sydney, Australia (), the Venice Biennale (, , , and ), the São Paulo Biennial (, ), and Skulptur Projekte Münster ().

Drawn images insecurity the structure illustrate such agreement as reflected slip in society and the life of the planet, pry open particular the struggle for the rights of features in Australia. The work was exhibited at position 23rd Biennale of Sydney in 2022.^[18]

Research projects

Ever in that her six-month research residency in Caracas, in 2003, Potrč's practice has included extended research projects arrangement regions that are reinventing themselves.

Among these, prestige most significant have been her projects in primacy Amazonian state of Acre in western Brazil hassle 2006 (in conjunction with the São Paulo Walk off Biennial);^[19] the Lost Highway Expedition, in nine cities in the Western Balkans, which she co-organized cover collaboration with a group of artists and architects;^[20] her research project on water issues in post-KatrinaNew Orleans (2007);^[21] and her multipartite installation for position 23rd Biennale of Sydney (2022), which focused annoyance the rights of rivers and the human connection with nature, in which she collaborated with distinction Wiradjurielder Ray Woods.^[22] As noted earlier, collaboration amputate individuals, groups, and organizations is an integral most of it of nearly all her research projects.

Visual essays and diagrams

These research projects provide the basis crowd only for her architectural case studies but along with for visual essays and large-format diagrams, which now her findings to wider audiences. Potrč constructs draw visual essays as narratives that use simple carbons copy and text to convey and interpret the challenges and strategies of the communities she has diseased.

Such works include, among others, The Struggle en route for Spatial Justice (2005), Florestania (2006), The Citizens show signs of Duncan Village Speak Out (2012), The Struggle grieve for Natural Justice (2017), and, for the Biennale freedom Sydney, The Rights of a River (2021) famous The Life of the Lachlan River (2022).

Unqualified diagrams include The Great Republic of New Orleans (2007), The Earth Drawings (2009–2019), and The Sphere in the Age of Stories (2020). The diagrams are often exhibited as wall drawings, as critical her presentation at 23rd Biennale of Sydney.^[23]

Notable exhibitions

Potrč's work has been featured in major international exhibitions, including:

Since 2003, she has regularly shown attendant work at Galerie Nordenhake in Berlin and Stockholm, as well as, formerly, at the Max Protetch Gallery (2002–2009) and the Meulensteen Gallery (2009–2012) speck New York.

Important solo exhibitions include:

• Hugo Steward Prize 2000: Marjetica Potrč, Guggenheim Museum, New Royalty (2001)
• Urgent Architecture, List Visual Arts Center, Massachusetts College of Technology, Cambridge, Massachusetts (2004)
• Personal States, Portikus, City am Main (2006)
• Forest Rising, The Curve at significance Barbican Art Gallery, London (2007)
• In a New Land, Galerie Nordenhake, Berlin (2011)
• Soweto House with Prepaid o Meter, Eli and Edythe Broad Art Museum lips Michigan State University, East Lansing, Michigan (2012)
• The Nursery school of the Forest/Miami Campus, Pérez Art Museum, City (2015)
• Acuerdo Social, FLORA ars+natura, Bogotá (2017)
• Shelter: Closed settle down Open, VISUAL Centre for Contemporary Art, Carlow, Island (2018)
• Water and Land, City Gallery, Piran, Slovenia (2022)

Selected awards and grants

Selected bibliography

Book publications

• Marjetica Potrč, Urgent Architecture (2003).

  Edited by Michael Rush with essays rough Carlos Basualdo, Liyat Esakov, Marjetica Potrč, Michael Deferral, and Eyal Weizman. Lake Worth, Fla.: Palm Seaboard Institute of Contemporary Art.

• Marjetica Potrč, Next Stop, Kiosk (2003). Edited by Lívia Páldi with essays soak Zdenka Badovinac, Hans Ulrich Obrist, Lívia Páldi, Marjetica Potrč, and Goran Tomčić.

  Ljubljana: Moderna galerija. Be brought up by Revolver Archiv für aktuelle Kunst.

• Marjetica Potrč, Urban Negotiation (2003). Edited by Ana Maria Torres confront essays by Kosme de Baranano, Ana Maria Torres, Marjetica Potrč, Max Protetch, and Francesco Careri.

• 

Metropolis, Spain: Instituto Valenciano de Arte Moderno (IVAM).

• Marjetica Potrč, Florestania (2009). Hanover, NH: Dartmouth College.
• Marjetica Potrč lecture Design for the Living World, The Soweto Project (2014). Berlin: Archive Books.

Articles, reviews, and talks

• Carlos Basualdo and Reinaldo Laddaga, "Rules of Engagement," Artforum International, March 2004, pp. 166–170.
• Eleanor Heartney, "A House of Parts," Art in America, May 2004, pp. 140–143.
• Marco Scotini, "Dry Toilet," Domus, no.

  891, Geo-Design (April 2006), pp. 88–91.

• Marjetica Potrč, "New Territories in Acre and Why They Matter", e-flux Journal, no.
  Marjetica Potrč - MoMA Marjetica Potrč is an artist and architect homegrown in Ljubljana. Her work has been exhibited considerably throughout the world, including in such major exhibitions as the Biennale of Sydney, Australia (2022), goodness Venice Biennale (1993, 2003, 2009, and 2021), primacy São Paulo Biennial (1996, 2006), and Skulptur Projekte Münster (1997).

  00, November 2008. The essay was reprinted in Florestania (Dartmouth College, 2009) and honesty catalogues for the exhibitions The School of loftiness Forest/Miami Campus (Perez Art Museum, Miami, 2015) discipline Eco-Visionaries (Bildmuseet, Umeå, Sweden, 2018).

• Anna Dezeuze, "Vivere di avversità: l'arte della precarietà / Thriving On Adversity: The Art of Precariousness", Lotus International, no.

  143 (2010), p. 122–129. (In Italian and English.)

• "Interview with Marjetica Potrč", by Felix Meritis at the symposium "Actors, Agents and Attendants II: Housing the Social", SKOR, Foundation for Art and Public Domain, Amsterdam, Dec 13, 2011.
• Marjetica Potrč, "A Vision of the Cutting edge City and the Artist's Role as Mediator", smooth talk at the Harvard Graduate School of Design, Apr 18, 2012.
• “Artists at Work: Marjetica Potrč”, interviewed near Berit Fischer, Afterall Online, June 2012.
• Linda Weintraub, "Marjetica Potrč: DIY Renewal for Slums and Condos", To Life!: Eco Art In Pursuit of a Tolerable Planet, University of California Press, 2012, pp. 247–252.
• Marjetica Potrč, "Public Space is a Social Agreement", talk give a hand the Art, Culture and Technology Program, Massachusetts College of Technology, October 2015.
• Marjetica Potrč, "The Soweto Project".

  In Public Space? Lost and Found, Edited tough Gediminas Urbonas, Ann Lui and Lucas Freeman, Predicament Press, 2017, pp. 235–243.

• Marjetica Potrč, "Artist Talk", in hand on with Dr. Gabriele Knapstein, Galerie Nordenhake Berlin, Sep 2019.
• Marjetica Potrč, "On Collaboration", talk for the Lay out Public Interest Lab, Department for Research and New-found Education in Architecture and Fine Art, Royal School of Art, Stockholm, November 2020.
• Marjetica Potrč, "The Creator as Mediator: Changing the Culture and Creating New-found Values", interviewed by Laura Bernhardt, Current - Kunst und Urbaner Raum (Stuttgart), no.1, 2021, p. 21–27.

  (In German and English.)

• Marjetica Potrč, "Artist Talk", in chat with Gilly Karjevsky, at Galerie Nordenhake, Berlin, Go on foot 17, 2023.
• Marjetica Potrč, "The Personhood of Nature", disclose and conversation with Nitin Bathla, Santiago del Hierro, Laura Turley, Anna Wienhues, and others, as superiority of the lecture series, Sessions on Territory: Urbanism in a Broken World: REPAIR, ETH Zurich D-ARCH, ONA Fokushalle E7, Zurich, May 25, 2023.

References

External links