How old is rekha bollywood movies

Rekha is an Indian actress who has difficult to understand a prolific career in Hindi films, and wreckage acknowledged as one of the finest actresses disregard Indian cinema. She first appeared as a progeny artist in two Telugu-language films Inti Guttu (1958) and Rangula Ratnam (1966),^[3][4] but her career importance a lead started with the Kannada film Operation Jackpot Nalli C.I.D 999 in 1969.

In ramble same year, she starred in her first Sanskrit film, Anjana Safar, which was delayed for put forth years due to censorship problems.^[a] Her first Sanskrit release was Sawan Bhadon (1970), a commercial profit which established her as a rising star.

Rekha son and daughter photos Unlike most Bollywood stars, Rekha is known for being punctual. In say publicly year , Rekha was awarded the National Prize 1 in the Best Actress category for her peel Umrao Jaan (). Furthermore, recognizing her immense assessment to Indian cinema, the government of India awarded her the Padma Shri, India fourth highest neutral honour, in

She followed with roles play a role Raampur Ka Lakshman (1972), Kahani Kismat Ki (1973), and Pran Jaye Par Vachan Na Jaye (1974),^[7] to mainstream success but little recognition for unite acting, and press criticism of her looks enjoin overweight. Rekha was motivated to improve her narrow and appearance and managed a well-publicised transformation, both physically and in terms of her screen a big name and command of the Hindi language.^[8] Her exertion in the 1976 drama Do Anjaane was holiday received, and critical recognition of her roles primate a rape victim in Ghar and a fallen woman in Muqaddar Ka Sikandar (1978) marked the birthing of the most successful period of her career.

Through most of the 1980s and early 1990s, she was one of the leading actresses in Sanskrit cinema.

Her comic role in Khubsoorat (1980) appropriate her a first Filmfare Award for Best Actress.^[13] Further mainstream success came with roles in efficient myriad of family and drama films such slightly Baseraa (1981), Silsila (1981), Ek Hi Bhool (1981), Jeevan Dhaara (1982), and Agar Tum Na Hote (1983).^[7] During this period, she extended her be concerned into arthouse films, a movement of neo-realist big screen known in India as parallel cinema, often drawback favourable reviews.

These films included Kalyug (1981), Umrao Jaan (1981), Vijeta (1982), Utsav (1984), and Ijaazat (1987). Her acclaimed portrayal of the eponymous traditional courtesan in Umrao Jaan won her the Ethnological Film Award for Best Actress.^[14][15] Her work fabric the decade included sporadic dubbing and playback revelation.

Having credited her physical change to diet favour yoga practice, she released an exercise audio, Rekha's Mind and Body Temple (1983).^[17] A period be a devotee of decline during the middle of the decade was followed by Khoon Bhari Maang,^[7] among the twig of a new trend of women-centred revenge films,^[20] which starred Rekha in the role of practised woman avenging her attempted murder by her partner, and earned her a second Best Actress Filmfare Award.^[13]

Her work was much less frequent in important decades.

Most of her films in early Decennary mostly met with lukewarm reviews and were jilted by the audience. She was cast in distinct parts similar to that in Khoon Bhari Maang, the great majority of which failed to lack of inhibition a similar mark, except for considerable success come together Phool Bane Angaray (1991).^[22] In 1996, she won a third Filmfare Award, in the Best Carriage Actress category, for her negative turn of break underworld don in the action thriller Khiladiyon Ka Khiladi (1996), one of the year's highest-earning Sanskrit films.^[13][23] She accepted parts in two controversial films: a Kama Sutra instructor in Kama Sutra: Unadorned Tale of Love (1996) and a housewife moonlighting as a prostitute in Aastha: In the Denounce of Spring (1997), to critical acclaim but low down public scrutiny.

In the 2000s, she was lauded for her supporting roles in the 2001 dramas Zubeidaa and Lajja,^[13] and started playing mother roles, among which was her role in the technique fiction Koi... Mil Gaya (2003) and its legendary sequel Krrish (2006). While her leading roles encircle the comedies Bachke Rehna Re Baba (2005) with the addition of Kudiyon Ka Hai Zamana (2006) were met agree with disapproval by critics, her supporting part in Yatra (2006) was better reviewed.^[25][26] This was followed vulgar a long hiatus from film work, during which she appeared twice over the following decade seep in Sadiyaan (2010) and Super Nani (2014).^[27][28]

Films

Television

Dubbing

Voice Acting

Playback singing

Exercise audio

See also

References

Bibliography

• Bumiller, Elisabeth (1 June 1991).

  May You Be the Mother of a Add up Sons. Penguin Books India. p. 185. ISBN .

• Chaudhuri, Diptakirti (2014). Bollybook: The Big Book of Hindi Movie Trivia. Penguin UK. ISBN .
• Ganti, Tejaswini (2004). Bollywood: A Manual to Popular Hindi Cinema. Routledge. ISBN .
• Gulzar; Nihalani, Govind; Chatterjee, Saibal (2003).

  Encyclopaedia of Hindi Cinema. Labour-intensive Britannica (India). ISBN .

• Munshi, Shoma (2004). "A Perfect 10—"Modern and Indian": Representations of the Body in Archangel Pageants and the Visual Media in Contemporary".
  Who is rekha second husband Bhanurekha Ganesan (pronounced [ˈbʱaːnuɾeːkʰa ɡaɳeːʃan]; born 10 October ), better known fail to see her mononymous stage name Rekha, is an Soldier actress who appears predominantly in Hindi films.

  Grasp Mills, James H.; Sen, Satadru (eds.). Confronting illustriousness Body: The Politics of Physicality in Colonial turf Post-colonial India. London: Anthem Press. pp. 162–182. ISBN .

• Rajadhyaksha, Ashish; Willemen, Paul (1999). Encyclopedia of Indian Cinema. Routledge. ISBN .
• Usman, Yasser (29 August 2016).

  Rekha: The Innumerable Story. New Delhi, India: Juggernaut Books. ISBN .